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Gerardo Lopez

portrait Gerardo LopezAfter MSU: Ph.D. student in music theory, The Ohio State University

In the music theory Master’s program at MSU: 2019 to 2021

Before MSU: B.M. and M.M. in Music Performance (Flute), University of Redlands; A.A. in Music, Pasadena City College

Conference Presentations: 

“Behind the Machines: Transformations in Gottfried Huppertz’s Metropolis, Op. 29 (1927)”

  • Music and the Moving Image Conference XVII: Virtually Together (2021)
  • 38th Annual Florida State University Music Theory Society Forum: Virtually Together (2021)

“How Fast Should This Rhythm Go: Rhythmic Cues for Tempo Determination,” Leigh VanHandel PI, Zachary Lookenbill and Gerardo Lopez co-investigators

  • ICMPC16-ESCOM11 International Conference: Virutally Together (2021)
  • Future Directions of Music Cognition Conference: Virtually Together (2021)
  • 19th Annual Auditory Perception, Cognition, and Action Meeting: Virtually Together (2020)
  • Australian Music & Psychology Society Research Connference: Virtually Together (2020)
  • McGill Graduate Music Symposium (Montreal, QC, 2020)

“Ambiguity and Meter in Copland’s Duo for Flute and Piano”

  • Indiana University Annual Symposium of Research in Music (Bloomington, IN, 2020)

“Hearing, Seeing, and Liking: The Effects of Audio-Visual Listening Conditions on Perceptual Ratings”

  • ICMPC16-ESCOM11 International Conference: Virtually Together (2021)
  • Future Directions of Music Cognition Conference: Virtually Together (2021)
  • Future Directions of Music Cognition Conference (Columbus, OH, 2020)

Publications:

Lopez, Gerardo and Leigh VanHandel. 2021. “Hearing, Seeing, Liking: The Effects of Audio-Visual Listening Conditions on Perceptual Ratings”. Virtual paper presented at Future Directions of Music Cognition Virtual Conference, March 6–7. https://doi.org/10.18061/FDMC.2021.0019.

Lopez, G. 2018. “Moving Toward Synthesis: The Incorporation of Technology in Music Through a Case Study of the Flute.” Electronic poster presented at the 11th International Conference of Students of Systematic Musicology (SysMus18), Belo Horizonte, Brazil.

Workshop Participation: 

“Twentieth-Century Music in Analysis and Performance: Contexts and Experiments,” with Daphne Leong, Society for Music Theory National Conference (Columbus, OH, 2019)

“Theorizing Categorically: Film Music and Beyond,” with  Scott Murphy, Society for Music Theory Graduate Student Workshop, (virtual, 2020).